Fortunately, however, Disney soon dropped the ‘poison motif’ in favour of princesses who don’t need true love’s kiss to save their souls.īeauty and the Beast’s Belle is surprisingly feminist, given that she stars in one of the most romantic fairytales of all. It’s not her fault that she’s given LITERAL POISON and only a gallant prince can save her. Think of Snow White, for example: when left in the forest to die, she finds herself a cosy cottage, installs herself in her new home, and manages quite capably to look after herself AND seven grumpy men. Even in the early films, contrived plot devices are the only way to take them down. However, examine the evidence and all of the Disney Princesses are actually surprisingly self-sufficient. But did they ever really need that in the first place? Princesses Are Doing It For Themselvesĭisney Princesses are often painted with the ‘damsel in distress’ brush, and scorned for needing a man to rescue them, thus setting a bad example to kids. It took 75 years, a trip to ancient Scotland, and a different studio, but Brave finally took us to a place where a Disney Princess can fight for herself, and doesn’t need a prince to deliver her Happily Ever After. Pixar’s only princess, Merida, is a different kind of pioneer – she’s the first Disney Princess who doesn’t fall in love with a man. The fact that The Princess and the Frog is set in 1930s New Orleans, and not a fictional African land like The Lion King, makes Tiana’s story all the more vital for an American audience. Many parents were thankful that finally there was a Disney Princess their daughters could see themselves reflected in, and it was about time. This was particularly important for the studio’s domestic US audience, where almost a sixth of the population is Black.
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She may not be the main protagonist of Aladdin, but Jasmine’s shrewdness, beauty, and natural leadership pave the way for Disney Princesses of colour to be taken seriously.ĭisney took another progressive step forward – perhaps later than expected – in 2010, with the first Black Princess, Tiana. The first character of colour to join the canon, Jasmine opened up the possibility of non-white cultures being represented in Disney Princess films. While Cinderella, Aurora, Ariel, and Belle each brought new dimensions to the princess role, Jasmine was the next in the lineup to break significant new ground.
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She proved that the Disney Princess formula worked, and set the standard for more female-centric fairytale retellings at the studio. The main protagonist of the first ever feature-length animated film, Snow White was the star of not only the highest-grossing flick of 1938 but the most successful of all time – until Gone With the Wind came along a couple of years later. While she might be seen as meek and mild by today’s standards, she set the world alight with her elegant big-screen debut. That said, we need to recognise the princesses who broke significant barriers for the first time to make this possible.įirstly, the 14-year-old who started it all – Snow White. Young viewers have more chance of finding a Disney heroine to identify with than ever.
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The current Disney Princess lineup features a range of personalities, looks, cultures, and backstories. If you think someone’s missing, take it up with Mickey.
WHAT IS WUDE'S ROLE IN MULAN RISE OF A WARRIOR PLUS
Oh, and by Royal Decree, we’re sticking to the official Disney Princess list – Snow White, Cinderella, Aurora, Ariel, Belle, Jasmine, Pocahontas, Mulan, Tiana, Rapunzel, Merida, and Moana – plus Anna and Elsa. In order for us to determine which princess is the most important, we’re going to explore the personal qualities that constitute the perfect Disney heroine, as well as their popularity and cultural impact.